Confessions of an Artist: Brandon Locher

Brandon Locher is a multimedia versifier and music producer who currently lives and works in New York, NY. Since 2006, he’s had increasingly than 60 releases under various names and originative media, including audio recordings, visual art, multimedia art, and sound art. He’s been practicing the Transcendental Meditation technique for the past two years. Here’s what we learned well-nigh his creative work and how his TM practice enriches his life.

What are your passions? What does a typical day in your week squint like?

One of my biggest passions in life is simply process. I am often reminded of a passage from “Confessions of a Mountain Climber” by the versifier Agnes Denes. “I am a mountain climber, and there is no way out but up. Not for the peak–I have long since understood well-nigh that–but for the mountain. You create the mountain, and then you climb it. Not for the final peak; the rencontre is the process and the journey, and the unattainable answers are the lure.”

This statement has unchangingly resonated with me considering I finger process is veritably essential to everything in life. I’ve discovered I enjoy the fruitful results increasingly profoundly when I take time enjoying the process and journey to completion. Process is well-nigh the here and now and waking up to this very moment.

I’ve been playing piano, reading books, and watching films for entertainment lately. Generally, I’m working on music or artwork in my studio for at least 6-8 hours a day. I’ve found it very helpful and salubrious to structure my day but to indulge tons of variety within all of the variegated components. Day-to-day I’ll be making radically variegated music, eating variegated foods, and experiencing inspiration and eyeful in unknown places.

Do you see yourself as somebody who took a leap of faith to live a increasingly creative life or do you think it kind of just happened?

I’ve unchangingly been interested in self-education, basically gaining increasingly knowledge that can be recycled when into my creative practices and day-to-day life. Creativity, intelligence, and kicks are essential elements to live a fulfilled life, and I finger it’s my natural stuff to evolve towards a increasingly creative life.

Reading Maharishi’s words, “Expansion of happiness is the purpose of life, and incubation is the process through which it is fulfilled,” made me understand why my mind unchangingly seemed naturally attracted to gaining knowledge and ultimately achieving my full potential. It’s unfluctuating with the laws of nature. Creativity, to me, is pure fulfillment and happiness. My fine feeling lies in the act of stuff – bringing together values of the wool into relative existence with my expressions of music and art.

Can you speak increasingly well-nigh your drawing practice and its connection to transcendence?

I’ve unchangingly thought of art as a series of problems that need to be solved, and I’m often drawing myself wipe solutions only to create a new problem for a future work. Since I started practicing Transcendental Meditation, I’ve noticed the spritz and feeling I experienced my unshortened life while drawing is very similar to the way I finger when I transcend to increasingly subtle parts of our mind and ultimately reach the source of pure creative intelligence.

I’ve recently found it salubrious to yank immediately without my morning meditation considering I finger extremely settled and at peace. Many artists believe that suffering, depression, or negativity help requite them a creative edge. When I was in my 20s, I moreover believed that you needed to hold on to that wrongness and suffering to ultimately be creative. I’m thankful I’ve finally discovered that in my case, suffering isn’t necessary to live a life of creativity and happiness, and, therefore, the act of megacosm is unchangingly a relief from any suffering or sorrow in my own life.

My drawings are created out of an appreciation, admiration, and love for the natural environment and universe. I profoundly enjoy thinking well-nigh macrocosm and microcosm and seeing the same patterns reproduced in all levels of the cosmos, from the largest all the way lanugo to the smallest scale. I believe, in this system, the midpoint is Man, who helps summarize the mystery of the cosmos. Drawing helps me establish peace and harmony within myself and ultimately with my surroundings and environment, too.

How does your environment play into your life?

I finger a very strong sensitivity to my environment, and I am unchangingly trying to help hoist my own surroundings. I am a total homebody and finger completely content staying at home. Therefore, I must create an environment and surroundings that help service and support my creative intentions and desires.

Hearing Maharishi say, “The universe influences the individual and the individual influences the universe,” helps me understand why I have unchangingly felt a connection to the environment at large. I am one to ritualize not only my domestic life but moreover my creative practices as well, and often those are one and the same to me. My studio has unchangingly been in my home, and, in a sense, I am creating artwork and music for my home. I am continuously cultivating my space so it’s inspiring and constantly feels fresh. It can be as simple as having fresh cut flowers that help hoist my unstipulated awareness. I love to curate my space as a ritual for creating, and creating is moreover a part of that same ritual.

Both you and your sister are artists. Was art and creativity a big part of your childhood?

My sister, Olivia Locher, is a wonderful photographer known for her sarcastic tideway to studio photography. During our childhood, our parents encouraged us to succubus and to never turn yonder from our dreams. I’ll be turning 37 in several months, and I finger like I’m far from stuff a “grown-up” considering my life is still centered virtually imagination as it was in my diaper and adolescence, ultimately, thanks to my parents permitting us both the self-rule to explore and grow without too many pressures or constraints during childhood.